ivorylungs:


John asked me to be his best man how could i say no?

how?!

ivorylungs:

John asked me to be his best man how could i say no?

how?!

thebritishteapot:

thescienceofjohnlock:

muserhasthetardis:

accio-mandrawer:

ihavebeensherlocked:

thebakerstreetboys:

getsh0077:

Bar Sherlock ;)

Love the eyeballs in the Sherlock. 

“On no account mix with coke.”

Usually drunk straight but may be open to other offers. 
OH MY GOD.

Oh they are just too accurate.

awesome

Let’s meet all at this bar please

thebritishteapot:

thescienceofjohnlock:

muserhasthetardis:

accio-mandrawer:

ihavebeensherlocked:

thebakerstreetboys:

getsh0077:

Bar Sherlock ;)

Love the eyeballs in the Sherlock

“On no account mix with coke.”

Usually drunk straight but may be open to other offers.

OH MY GOD.

Oh they are just too accurate.

awesome

Let’s meet all at this bar please

epicturtle65:

I was bored so I decided to draw in an old book that I found on my shelf. These are my sherlock themes ones.


"Brainy’s the new sexy."

"Brainy’s the new sexy."

thebritishteapot:

x

#you know#i feel like this will be actually a real scene in series 4#instead of just#setlock
(via creaturebatch)

meetingyourmaker:

Calling Mr. Fix-IT
Jim mixes his consulting work with his other job. 
Even consulting criminals get stressed.

meetingyourmaker:

Calling Mr. Fix-IT

Jim mixes his consulting work with his other job. 

Even consulting criminals get stressed.

octofied:

Requested by sirmorivrty

Jim would not dump water on himself, he’d dump his bucket on Seb. Twice soaked sniper sounds sort of catchy.

musthaveblackedout:

fuckyeahfightlock:

So I honestly can’t believe I’ve never seen anyone talking about the art direction of this scene. If I’m repeating something, Ah,well. But I’ve honestly never seen it pointed out that this is the very first time we see Mary, and there are three important things here:
Mary reaches for John’s hand. John takes it, of course—he is used to being offered comfort for his loss, by now—but he is not reaching out to her for comfort in his sadness. She is inserting herself into his grief. Reflexively, he lets her.
We only see the back of her. It’s unusual to introduce a major protagonist any other way than by showing their face pretty much immediately. A major antagonist, however…a baddie…well, they often are introduced in a cloud of cigarette smoke, from a distance, in the shadows, as a mysterious voice on a phone, or in some other way that doesn’t tell us right away who they are. Our first glimpse of Mary gives us only the most vague information about her. Obviously a woman, obviously someone John is close to, as he holds her hand. Other than that…who is she? We don’t know.
Finally, it’s no mistake she is wearing a long, grey coat which flares slightly from the waist, and a blue scarf. But they are paler shades of those colours than Sherlock’s coat and scarf were, because Mary is but a pale imitation of the person we are used to seeing standing beside John Watson (even once, when they were handcuffed together, holding John Watson’s hand in a manner similar to what we see here). Her coat and scarf look cheap, “less than,” and her denim jeans are “less” than Sherlock Holmes’s designer trousers. Her dark hat is a visual echo of Sherlock’s dark hair. This whole shot is set up not only to remind us that Sherlock used to stand here at John Watson’s side, but also that This is some lesser, fake, replacement-Sherlock standing at John Watson’s side, and whether consciously or unconsciously, John has chosen a pale imitation indeed.

This

is how

the show

introduces

literally

every

single

villain

and antagonist

musthaveblackedout:

fuckyeahfightlock:

So I honestly can’t believe I’ve never seen anyone talking about the art direction of this scene. If I’m repeating something, Ah,well. But I’ve honestly never seen it pointed out that this is the very first time we see Mary, and there are three important things here:

Mary reaches for John’s hand. John takes it, of course—he is used to being offered comfort for his loss, by now—but he is not reaching out to her for comfort in his sadness. She is inserting herself into his grief. Reflexively, he lets her.

We only see the back of her. It’s unusual to introduce a major protagonist any other way than by showing their face pretty much immediately. A major antagonist, however…a baddie…well, they often are introduced in a cloud of cigarette smoke, from a distance, in the shadows, as a mysterious voice on a phone, or in some other way that doesn’t tell us right away who they are. Our first glimpse of Mary gives us only the most vague information about her. Obviously a woman, obviously someone John is close to, as he holds her hand. Other than that…who is she? We don’t know.

Finally, it’s no mistake she is wearing a long, grey coat which flares slightly from the waist, and a blue scarf. But they are paler shades of those colours than Sherlock’s coat and scarf were, because Mary is but a pale imitation of the person we are used to seeing standing beside John Watson (even once, when they were handcuffed together, holding John Watson’s hand in a manner similar to what we see here). Her coat and scarf look cheap, “less than,” and her denim jeans are “less” than Sherlock Holmes’s designer trousers. Her dark hat is a visual echo of Sherlock’s dark hair. This whole shot is set up not only to remind us that Sherlock used to stand here at John Watson’s side, but also that This is some lesser, fake, replacement-Sherlock standing at John Watson’s side, and whether consciously or unconsciously, John has chosen a pale imitation indeed.

This

is how

the show

introduces

literally

every

single

villain

and antagonist

moriartea-cup:

I couldn’t sleep so I took two palettes from another version of the colour meme and mixed them together.
I miss drawing fawnlock….Also why is it every time I draw John he ALWAYS looks different yet Sherlock is the same???

moriartea-cup:

I couldn’t sleep so I took two palettes from another version of the colour meme and mixed them together.

I miss drawing fawnlock….Also why is it every time I draw John he ALWAYS looks different yet Sherlock is the same???

johnthreecontinents:

Sherlock + tumblr text posts

tegabyte:

hONEY
GROOM YOUR FEATHERS
PLS
merindab wanted winglock so here you go. At least it’s actually winglock, hahaha

tegabyte:

hONEY

GROOM YOUR FEATHERS

PLS

merindab wanted winglock so here you go. At least it’s actually winglock, hahaha

cartopathy:

piningjohn:

My deepest regret in life is that when Jim said Westwood Sherlock didn’t start a discussion about fashion

Jim: Westwood.

Sherlock: Dolce and Gabbana.

John: Semtex. Let’s focus, shall we?

felixandria:

i wanted a little fem!watson in fatigues so i did a doodle

everything is beige